However, these principles are not entirely accurate.
There are sorcerers born from lineages with a family tree only comprising people who exhibits a magical prowess. If the souls of the elves chooses at random, then blood relation is not a factor to consider. The ancient books claim that the soul of elves
First, the mages. Mages are those who possess a compatibility with the 'four elements' namely fire, water, air and earth. Mages are usually those who aid in battlefield because their magic is brazen and bold
Second, the conjurers. Conjurers are those who are talented in the art of taming magical creatures. They can summon different
"Transmissio." A woman's voice. "Accipio. Quaenam in illis."
Faustina's body convulsed as
She gasped as a scene where Jonathan is smiling and holding the hand of Eula flashed before her mind—a Jonathan who seemed younger and a Eula who is around his age. Next, a scene where Sheila is studying with Jonathan — then, the King who is coughing blood.
"Archive." A voice. "Transmissio. Accipio. Quaenam in illis."
An academy where students
Jonathan— Eula—
The king.
**
Faustina opened her eyes only to see a white ceiling with angels and cherubs painted. The scenery of Heaven, perhaps. She stared for a second and then a twitch on her head and a memory flashed before her eyes.
"A marionette played tricks on you." Sheila says, narrowing her eyes. "You did not speak with any sorcerer. You spoke with the Devil, Faustina."
"A devil?" She asks, surprised. "Why would a... devil—of all things—speak to me?"
Sheila's pale eyes stared intently, "my spell showed a marionette, a puppeteer; a person trained at the art of voodoo. Someone took advantage of your downfall and made their way to speak to you. Can you see it right now?"
Faustina's gaze drifted at the figure of a person clad in red. An eerie smile curved on its lip. Facial features were indescribable because of the cloak. The puppets looked like dolls of dark origin, holding small sorcerer staffs. A smile
"I can see it," Faustina said in response.
"Good." Sheila says. "Because I cannot."
"Huh?"
"Eyes that cannot see," Sheila says, "but feel. An object or a person of malevolent origin is being emitted from the middle of my magic circle."
Faustina stared at Sheila—who was staring at the void. Faustina's eyes drifted to
'so that's why her eyes were
"A marionette is a warlock's apprentice." She says. "Or more likely, a warlock's underling. A marionette can only use voodoo if they had an interaction with the person. Say, is there anyone who comes to your mind? Someone that may have been with you for a long
Faustina tried to think of someone closer to a marionette. But there was no one but Jonathan whom she can assume to be bearing such evil. She shook her head in response, but realized that Sheila is blind.
"There's no one."
"Eulalia Fortunatorum. A woman very close to Jonathan. She disappeared from the academy a long time ago, before I could reach my senior year." Sheila asks. "Does it ring any bell?"
Eulalia Fortunatorum. Eulalia.
Eula?
Faustina remained silent, contemplating.
"Who is your master?"
"Eu—"
"Who is it?"
Faustina parted her lips to answer, but then—
"You must not speak."
"You must not tell."
"Faustina,
"Not my name. Not a word."
Faustina nodded in response.
And then a hand clutched her shoulder, and then suddenly sword's edge was nearing her neck.
"Do not let her go, Elliot." Sheila says,
"I—" Faustina cannot remember what she
"You cannot sustain the king's life." Sheila says. "You are unaware and ignorant."
Faustina's eyes widened as the point of the staff reached her forehead.
"Transmissio." A woman's voice. "Accipio. Quaenam in illis."
"I will

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