Please note that Tapas no longer supports Internet Explorer.
We recommend upgrading to the latest Microsoft Edge, Google Chrome, or Firefox.
Home
Comics
Novels
Community
Mature
More
Help Discord Forums Newsfeed Contact Merch Shop
Publish
Home
Comics
Novels
Community
Mature
More
Help Discord Forums Newsfeed Contact Merch Shop
__anonymous__
__anonymous__
0
  • Publish
  • Ink shop
  • Redeem code
  • Settings
  • Log out

MitcHELL

Act 1, Scene 4: We Only Have Today

Act 1, Scene 4: We Only Have Today

Aug 27, 2022

INT. 12TH STREET CHAPEL —NOON

The foyer of the chapel is relatively empty, and the hard rubber of Dirk’s shoes smacks the floor. Scents of vanilla and damp roses and perfumes swirled by angelic fans above his head slather him with a semi-visible cloak of smoke that fails to hide the deeper smells of that ancient place: rotten wood, mold-splotched carpet, spiders dead and dried in hidden corners, sweat, wine, and even blood. A large poster advertisement for Hereafter, which shows the dead playing golf, vacationing in the simulacra Bahamas, and communing kindly with the living on what looks like Christmas or some other dimly-lit holiday, sits in the corner of the small room. Pamphlets in a pouch on the poster advertisement are available for the taking. Each pamphlet is emblazoned with RJ’s inhumanly happy face, and Dirk grabs one while students flood around him. The students don’t appear to notice him. Maybe they think he is a part of the mourning family and better left alone.

The floor of the foyer is delicately white like cracked eggshells, and the air is crisp. But when Dirk steps into the chapel, he is assaulted by the populated heat of collective worship. The chapel is darker than the airy foyer, but it is illuminated by rainbow paintblobs of light that ooze out of the stained-glass windows set in every wall. Flickering white light glimmers in points like stars in an aurora from atop various dripping candles set in copper pans and silver-skinned candelabras between vases of roses and lilies and daisies and other fragrant feathered things that grow in colors of green and gold and red and white and lavender. There are cards students have signed and stuffed animals like sacrifices the French trapper would have loved placed all around the room. Kids crammed in pews adjust their pants and pick their noses and text while they wait for someone official to rise above the nervous crowd.

Dirk moves to a seat in the last empty pew along the back wall of the room. The kids around him are bent up over their phones. Some have motion-stimulated battery-saving phone cases, and these shake their phones like high-tech maracas to keep the juices flowing. The lucky kids near power outlets in the wall have moved flowers and offerings and pictures to accommodate their phone chargers, and they sit attentively engulfed by digital blue halos — but the others, whose phones are slowly dying in their hands, murmur assurances to their loved ones as they fade away. A DESPERATE BOY next to Dirk seems especially alarmed.

DESPERATE BOY

I swear on my life! I won’t let you die

again — I’ve got a charger in my bag

and we can go out to the foyer if

you’re getting low. And we can even leave

if it looks like there’s no place to charge…

Meanwhile, a GOSSIPING GIRL sitting ahead of Dirk speaks in a low voice to a friend, who cocks her ear like a cup to collect the delicious words.

GOSSIPING GIRL

I heard that RJ left a note. It said

a bunch of stuff about how he didn’t want

to live in Indiana anymore,

how racist his adopted grandpa was

and stuff like that, and how he’d been talking

with his mom and dad for months, since May,

and how they had a room all ready for him

to come and live with them — some real weird stuff.

And his adopted mom still won’t believe

he hated them the way he said, or that

he wished they never brought him to the states…

Hush: the electric life in the room quickly subsides to a cloud of anticipation when the double-doors on the horizon of the back wall are opened. A man in a purple robe with a gold rope around his neck, who also happens to be the high school principal, MR. KIDDERMAN, walks in. Mr. Kidderman wrinkles his impressively bald forehead into three creases, perhaps symbolically, and steps with authority to the pulpit protruding behind the coffin. The pulpit is flanked by the same picture of RJ that is on the pamphlet Dirk is holding. Small lights go out all through the room as phones disappear into pants and jackets and purses. SOME STUDENTS whisper —

SOME STUDENTS

(decisively sad)

I’ll see you in a minute.

Other students take one last energizing shake of their phones and rub their aching forearms. Everyone watches Mr. Kidderman at the pulpit. The polished wood of the casket below him glimmers in the candlelight, and the overflowing red silk of that final bed rolls out like a useless tongue reluctant to reveal the secrets of its holy guest. Mr. Kidderman gestures magnificently, but mechanically, towards the hidden body.

MR. KIDDERMAN

We all know why

we’re gathered here this morning, but I think that some

people are expecting me to talk

about the consequence of RJ’s actions

because, besides the representative

picked to minister Hereafter in this town

you see before you on the stage, you know me

as the strict principal who roams the halls

in Mitchell High School.

Mr. Kidderman lashes the room with a forceful stare, and the last of the lights from half-hidden cell phones are quickly smothered.

MR. KIDDERMAN (CONT’D)

I’m not here to talk

about the consequence of taking your life;

instead, I want to tell you all about

the miracle that RJ was, what he meant

to people in our little patch of earth,

and how, thanks to the future we are forging

as the first Hereafter Hub in the rural part

of our great state, RJ still has a chance

to make a difference as a part of our town

thanks to the strength of the memories we share

and the impact RJ made in all our lives,

which we all feel so painfully today.

Something escapes from the room, and Dirk notices. You might consider it a sigh, or maybe even a laugh, but it is more like an audible essence of blame that shifts from the audience with the dismissed sense of consequence. Suddenly the people in the pews, who had seemed nervous before, but who we realize now were only feeling very guilty, are baptized by the innocence of their ignorance, and the real power of Hereafter is displayed.

MR. KIDDERMAN (CONT’D)

(maybe shaking with emotion,

but most likely composed and

sturdy as a limestone house)

First, I want to tell you all about

my own experiences with Hereafter,

and how it changed my life. When I was young,

when people still got married when they were young

enough to forget they didn’t know what they were

supposed to do, or how to get it done,

my wife was killed in an accident just off

Highway 60, out near CVS.

She obviously died too soon to be

placed in Hereafter, but before she died,

she bought me a hunting dog, despite how much

she hated all the hunting that I did —

God bless her soul for putting up with me,

as old-fashioned as I can be — as a present

on our anniversary. And that dog

survived my wife until last year, when it died

from ripe old age. I’ll tell you the truth now —

when that dog passed away, it felt just like

my wife had died all over again, and when

I thought about them reuniting in

the afterlife, my wife and the dog she bought me,

I realized it didn’t help me much with grief

despite my faith. I thought it was a sin

to place a person in Hereafter then,

but it didn’t seem so bad to place a dog

in the app, if it would help me settle with

the grief I felt. So that was what I did.

I called the people who worked on the app

when I was feeling low, and I asked them to

make an exception for this dog of mine.

The woman on the line told me it wasn’t

possible that instant, but that they were

working on a thing called AfterPets

as we were talking, and she put me on

a list of people who would be the first

to try it out. When I got my dog in the mail,

I felt a bit led on to think that this

robot in a box could take the place

of the dog I knew from when he was a pup

until the day he died. But I was wrong!

I went through the now familiar process of

placing someone in the app, but with

a pup instead, and when that little robot

came to life, I realized all the relief

Hereafter brought to people — and how could that

be so bad, or be a sin to partake in?

I threw myself into the task of becoming

a convert to the app, and I’m proud to say

that, in the end, I was instrumental in

making Mitchell a Hereafter Hub.

And my greatest hope is that, when we go through

the process of placing RJ in the app

today, that Mr. and Mrs. Johannesen,

that you, Lisa, and you, Jeffry, both feel a bit

of that relief, and that this processes helps

you start your journey to a happier life

full of all your loving memories.

Mr. Kidderman places both hands on the podium, gathering his strength, and smiles at two people sitting in front of the coffin, who you could assume to be LISA JOHANNESEN and JEFFRY JOHANNESSEN.

MR. KIDDERMAN (CONT’D)

Most of you knew RJ from class — perhaps

he sat beside you during social studies,

or maybe he was in your home room, and I know

that many of the athletes here will miss

RJ on the soccer field next year.

But he was more than that: RJ was a great

member of our community, one who,

some might say, we never deserved, but who

came to us in search of peace and comfort,

and most importantly, for family.

I know that Jeff and Lisa gave him all

they could afford to give, when they decided

to bring RJ into their loving home.

Mr. Kidderman gestures towards Jeff and Lisa Johannesen with the same mechanical wave of his hand that he previously used to indicate the hidden body of their son.

MR. KIDDERMAN (CONT’D)

It would have been so easy, when they found out

that having children of their own would be

difficult at best, to move on with

the rest of their lives. But Lisa wouldn’t have it.

She knew the good that they could do for a child,

and all the good that it would do them, almost

like the way we use Hereafter now

to fill the hole in our hearts, and she convinced

her husband to adopt a child. But not

just any child. She wanted to adopt

a child from somewhere life was harsh — a child

who needed saved. And so we got RJ.

We watched him grow from just a little kid

of 3 or 4, with habits you couldn’t help

but love despite their backwardness and the way

you never thought he’d smile until he did,

and it made your day. That’s the RJ we met

at first, and then he grew into a strong,

passionate young man, who did his best

to make this town a better place to live.

Whether it was down at Tulip Street

working with the church, or with the school,

working on the floats for the parade,

one of which we’ll see two days from now

in the glory of his handiwork — there wasn’t

a single boy in school who matched him in

the shop — RJ was always dedicated to

the task at hand in a way you had to admire.

RJ worked hard in the classroom, and he

was on his way to being the top of his class

before the tragedy. As a sophomore,

he already had four letters on his coat

and more at home. He was the type of guy

that you could count on in a pinch, that much

was certain, and I think it is still true

to say he’d never let you down. You see,

RJ had the demons of his past

to battle on his own, and even though

Jeff and Lisa tried their best to help,

and RJ gave them all his worst, he couldn’t

overcome the suffering he left

when his parents brought him here. In the end,

those dark memories got the best of him.

Mr. Kidderman pauses, and the audience seems to reach deep into a well of reverent silence.

MR. KIDDERMAN (CONT’D)

I started by saying that I didn’t want to talk

about the consequence of RJ’s actions

because I don’t believe he was at fault

in what he did. As sad as it may seem,

and just as strange to think of when you’ve spent

your life in relatively blissful

relaxation here in Mitchell, the world

beyond our town is sometimes harsh in ways

we can’t imagine. And the truth of it is,

even though we do our best to spread

our wealth of knowledge and beliefs, and to help

with the bit of money we can make,

even though we don’t have much to give —

but we do give, like Jeff and Lisa here,

what we can afford to give — we can’t

do enough to heal the whole wide world over.

RJ was a victim of our human weakness,

but not our will to help. Nobody here

is guilty, but he’ll be most sorely missed.

Mr. Kidderman, perhaps finished now with missing the dead boy, or maybe distracted by the secret joy of fulfilling his favorite public service, smiles at Jeff and Lisa Johenessen. He waves for them to come to the stage, and they stand. Dirk, almost coming out of a slumber after Mr. Kidderman’s sermon, peeks around the students ahead of him to get a good look at grieving parents. Jeff and Lisa are dressed like they’re about to board a tacky cruise — Jeff in a floral Hawaiian shirt and Lisa in a sundress. Lisa still has her straw sunhat on, perhaps pressed down tightly over the undone curls popping out beneath the brim. Something about her suggests a sense of urgency, grief, or even fear despite her dress, especially compared to her husband, Jeff, who turns around like a gangly graduating student to smile awkwardly at the crowd before leading his wife up to the stage. Mr. Kidderman takes Lisa’s hand, and the three people standing by the coffin form a chain of holy power passing from Mr. Kidderman, through Lisa, out to Jeff’s fingertips, and onto the tablet.

Jeff Johannessen touches the tablet, and it blooms into a blue life.

MR. KIDDERMAN (CONT’D)

(very formally stiff)

Yesterday is gone. Tomorrow has

not yet come. We only have today.

Let us begin.

A light on the tablet flashes. You might think it was magic, or a miracle, but Mr. Kidderman has just announced the program’s starting phrase — nothing more or less. But the noise that moves through the room, whispers like a rustling of unsure leaves, would leave a person thinking less of logic and more of haunted houses. Lisa Johannessen smiles a half-laugh of relief.

MR. KIDDERMAN (CONT’D)

(like a doctor at the

start of an examination)

Was your son a smoker?

JEFF JOHANNESSEN

Never that I know of — maybe once.

LISA JOHANNESSEN

Just once. He stole a cigar on New Year’s Eve,

when we had gone to sleep, don’t you remember?

MR. KIDDERMAN

Did your son drink alcohol?

LISA JOHANNESSEN

(ashamed, but before Jeff

can answer)

Yes.

The Hereafter placement ceremony commences in much the same way it has around the world this last year, from foggy London to lopsided San Francisco, as smoke from the candles condenses around the casket and obscures the stage. Voices from outside the church almost lurch into being in the quiet of that sacred ceremony.

coleminer31
Cole Hardman

Creator

Dirk steps into the church, and RJ's funeral begins with the opening of the Hereafter ceremony.

#friendship #fiction #scifi #love #horror #fall #ghosts #drama #supernatural #poetry

Comments (0)

See all
Add a comment

Recommendation for you

  • What Makes a Monster

    Recommendation

    What Makes a Monster

    BL 75.7k likes

  • Silence | book 1

    Recommendation

    Silence | book 1

    LGBTQ+ 27.3k likes

  • Touch

    Recommendation

    Touch

    BL 15.6k likes

  • Invisible Boy

    Recommendation

    Invisible Boy

    LGBTQ+ 11.5k likes

  • Blood Moon

    Recommendation

    Blood Moon

    BL 47.7k likes

  • Invisible Bonds

    Recommendation

    Invisible Bonds

    LGBTQ+ 2.4k likes

  • feeling lucky

    Feeling lucky

    Random series you may like

MitcHELL
MitcHELL

2k views0 subscribers

The Hereafter app has changed everything for the folks in Mitchell, even if they're slow to admit it. The ghosts in the streets of their rural midwestern town are now at their fingertips, waiting to séance at the tap of their phone screens. But the old traditions are slow to fade, and despite the suicide of a local high-schooler rumored to be connected with the app, the same rusted carnival rides and old wooden food stands rise for the yearly Persimmon Festival at the start of harvest season. Dirk, a failed engineering student from Mitchell who has an uncomfortable past with Hereafter, and a dead software genius named Flori hidden in a cracked version of the app on Dirk's phone, take the metaphorical festival stage. Together, Dirk and Flori start to dig into the cemetery of uncomfortable questions the new app has posed for this little piece of Indiana. But when Hannah, one of Dirk's childhood friends, is the next person threatened, he and Flori have to decide if they're willing to risk everything they've worked for to help Shelly, Leo, Rich, and Hannah herself to stop the unholy force behind the afterversions in the app.

Part Twilight Zone fanfiction, part teenage mystery-solver, every last bit an over-the-top screenplay in verse full of friendly iambs and evil trochees--MitcHELL is a twisted mix of science fiction and horror set in the rural heart of southern Indiana.
Subscribe

14 episodes

Act 1, Scene 4: We Only Have Today

Act 1, Scene 4: We Only Have Today

132 views 0 likes 0 comments


Style
More
Like
List
Comment

Prev
Next

Full
Exit
0
0
Prev
Next