The boy stands and the sunlight falls from his shoulders
Hunched inside himself, the gray of a lifetime, the gray of Sunday morning
Because he remembers the seeds in her lungs, he planted there so she would grow again
The roots that split her mind
The painting captured him long ago, and he looks again at it today
And he is the gray of age
He hears the whispers in the museum all around, endless nothings
“So lovely, so vibrant.”
“Youthful,” one says, and he almost laughs into the quiet
“Such a shame,” another says, “to never know.”
Well, the artist (the butcher) chose the lack of context, so only the man can know, can’t he
It tore out his bones so many times, before he decided to keep them
The man, he knows, he knows the true title, because it flung him across the asphalt and scraped his body up again, and in the gore it found crimson red
And formed the flower petals
Vibrant
Youthful
He knows that out of the corner of the canvas, a headstone stands, slated gray
A name on it
Crushed him into the asphalt
But truly, the flower is the quiet, violent centerpiece, the boy shadowed by it
It twists as though with limbs, as though with contrapposto, the “s” shape of a torso
Of legs, still running today, he hopes
The golden face looking level at the boy, the true golden face a cradle
For death in the ground, a blanket for decay, a feast for the soil
He knows, he knows
He thinks about the headstone
And about his Rose
And he knows the true title, doesn’t he:
“Boy With Girl, Regrown.”
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