The boy was born on a July morning, when the southern breeze still carried the sultry remnants of summer, and the northern wind whispered a cold promise from beyond the horizon. People say that children born at the turn of seasons often carry dual destinies. But no one expected that this boy would carry two winds within him—one of origin, and one of fate.

He was named An—a name that sounded like a wish for a peaceful life. But from his very first cry, An was not cradled in familiar arms. There was no lullaby, no warmth of a mother, no steady presence of a father. The hospital recorded the names of his parents, but the room he returned to was a silent apartment on the twelfth floor, its windows shut, its walls sliced by the shadows of dusk.

An's parents were Vietnamese, living in the heart of bustling Saigon, but their hearts had long wandered toward dollar-shaped dreams. His father drove for an export company. His mother was an accountant who clung to numbers more than hugs. They believed loving their child meant working tirelessly, depositing money into savings, and leaving the child to the care of a housemaid. But An never understood how love could feel so absent. Dinner was a box of cold rice. Concern came in the form of sticky notes hastily slapped on the fridge. A birthday meant a lone candle stuck into a piece of stale bread.

The early years of An’s life passed like a slow-motion film. He learned to speak not through stories, but through TV news reports. He learned to write not for letters, but to jot down reminders for surviving alone. The house became a glass cage—transparent, clean, but utterly soundproof to the outside world. No children’s laughter, no hurried footsteps running into a parent's embrace, only the sound of wind slipping through window cracks and the dull yellow of streetlights fading like memory.

At school, An was the silent one. During recess, he sat alone in a corner of the yard, hugging his backpack like it was a small world no one else could comprehend. His classmates called him "weirdo," "bookworm," sometimes even "invisible." No one understood why he never smiled. No one knew that every time he was shoved, he bowed his head, never resisting, never crying. Perhaps because An’s tears had long been buried—like a dried-up well in a land where it never rained.

Yet in that dim space, a faint light flickered—from the classroom podium. The teachers, though they never spoke of it, always had a different look in their eyes when they saw him. In An, they saw a strange maturity, an ancient sadness, as if from another life. One day, his literature teacher quietly said after class: "An, your eyes look like someone who's lived through many winters." He didn’t fully grasp her words, but they touched something deep inside—a place even he couldn't name.

An loved books. Not because they made him smarter, but because in each page, he found fragments of souls lost in the real world. He read Dostoevsky like meeting an old friend, saw himself in Kafka’s obsessions, and cried at the final lines of Les Misérables — not from sentimentality, but because, for the first time, he felt understood.

Some nights, with wind brushing past his window, An would sit at a small desk, writing a journal in two languages: one in his mother tongue, and one in the language of the novels that had saved him. The ink wavered across the paper—sometimes confessions, sometimes whispers to a distant place in the universe. "I don’t know where I come from," An wrote, "but I know I carry two winds inside me. One from a past I couldn’t choose, and one from a future whose path I cannot see."

From a young age, An seemed to live more than one life. He had recurring dreams where he stood on an unfamiliar shore, heard voices in a language no one taught him, and saw his hands covered in blood for reasons he didn’t know. He once told an adult—only to be met with a dismissive laugh and advice not to dream so wildly. But deep down, An knew something remained untold.

Then one day, a strange wind blew through his neighborhood. It wasn’t hot, nor cold—but it carried a foreign scent: pinewood and aged paper, like the memory of a world never visited. For the first time in years, An looked up and felt something shift within—like a door quietly opening. He wondered, "Is the wind trying to tell me something?"

From that day on, An began recording his dreams. He called them "displaced memories." In them, there was war, a lost lover, a stone bridge leading to an ancient pagoda, and the laughter of a child calling him "Father." These images repeated, clearer than reality. An didn’t know if they were hallucinations or remnants of a past life refusing to fade.

At school, the principal summoned him after a composition left the faculty in prolonged silence. The essay was titled "The Loneliness of a Shadow." It had no personal pronouns—only the image of a shadow silently existing in others' worlds, never allowed to be itself. "Where did you learn to write like someone who’s lived through war?" the principal asked. An just smiled: "I don't know, sir."

An's world didn’t change. His parents remained absent. The housemaid still brought dinner. But something inside had shifted. The winds were no longer invisible. He began to feel them: the wind of his homeland, sorrowful like a mother’s lullaby; and the wind of a faraway place—so distant he didn’t dare name it.

One day, An stood on the rooftop, eyes on the sunset. The wind blew hard, tossing his dark hair like it was summoning a reunion forgotten for centuries. He closed his eyes. In that moment—no car horns, no school, no miscalled names—only two winds colliding, creating a silent note. And between them, An stood—like a bridge between two shores—not to choose, but to listen.