Stars blinked like shy children above the pine-draped mountain.
Inside the cave, Draupadi fed Agnika mashed berries with her fingers while Bhima told a story about a tiger that ran away from him in fear — which, according to Nakula, was probably a goat.
The mood was light.
But as always, Agnika’s eyes were far away.
Watching everything.
Listening for things no one said.
---
Later that night, after the fire dimmed and the cave drifted to sleep, she stirred.
Small fingers curled.
A sigh slipped from her lips.
She didn’t cry.
She simply fell deeper.
---
In the dream, she found two boys.
They stood in the corner of a great palace, watching the others train.
One boy — fierce-eyed, proud — held a wooden sword.
The other — quieter, gentle — stared at the stars above the open courtyard.
Nakula and Sahadeva.
But younger.
Watching their older brothers be praised, lifted, crowned with titles.
Watching themselves stay in the shadows.
---
She felt what they never said aloud:
> We were born to a different mother.
We were loved — but not the same.
We were needed — but never first.
And when the world remembers the Pandavas… we will be forgotten.
Agnika felt that sorrow.
Felt how deep it went.
Not loud like Bhima’s grief.
Not angry like Arjuna’s regrets.
But soft… and buried.
Like a song never sung aloud.
---
She woke with a gasp.
Tiny fingers clutching the blanket.
Across the cave, Nakula and Sahadeva were just stirring.
Sahadeva blinked. “I had… the oddest dream.”
Nakula nodded. “I was back in Hastinapur. It felt…”
“Lonely,” Sahadeva finished.
They looked at each other.
Then at her.
---
Agnika stood unsteadily on the blanket, wobbling in her little feet.
She looked at both of them.
Eyes wide.
Chest rising and falling like she’d just run through a storm of souls.
And then—softly, almost like it hurt to say:
> “Papa.”
Nakula blinked. “What?”
She pointed at Sahadeva. “Papa.”
Then at Nakula. “Papa.”
Then she ran forward — straight into Sahadeva’s arms, hugging him fiercely around the neck.
He held her, stunned.
Nakula knelt beside them, eyes glassy. “She said it.”
Draupadi sat up from her side of the cave, whispering, “She’s never said that before…”
Arjuna and Bhima both turned.
Yudhishthir opened his eyes.
Even Krishna raised an eyebrow.
---
“She… saw it,” Sahadeva whispered, his hand on her tiny back. “Didn’t she?”
“She did,” Nakula said softly.
> “And she gave us the word
we never dared to ask for.”
---
Bhima chuckled, wiping a suspicious wetness from his eyes. “You two better not get jealous when she starts calling the goats ‘Mama.’”
Agnika — a child of silence, born not from a womb but from the imbalance of a world drowning in sorrow. Found by Draupadī during the Pandavas' exile, raised by five warrior fathers and a mother made of fire, she grew up knowing things no child should know — the weight of death before it came, the cries of the future before they echoed.
She was not a seer.
Not a curse.
Not a miracle.
She was a mirror.
To each person, she reflected their deepest pain — and carried it quietly like it was her own.
She called demons brother, kings father, and even enemies family.
She tied rakhi to those destined to kill each other.
She played music so haunting even gods paused to listen.
But knowing too much comes at a cost.
As war brews, Agnika is caught between love and blood, memory and fate.
She watches her world collapse, one brother at a time — unable to stop it.
Until the day the music ends. And she walks into the river… not to escape, but to return to where imbalances go when the world no longer needs them.
This is not just the story of Mahābhārata.
This is the story of the girl who remembered too much, loved too hard, and left too soon.
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