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She’s Making Moves, I’m Making Excuses

The Zurich Preparation

The Zurich Preparation

Oct 13, 2025

Friday began with a kind of nervous electricity that hummed beneath the usual office noise.  
The Clarity Initiative had gone global overnight, and for once, Voss International looked like a company pretending to be human on purpose.  

Evan Reid sat at his desk, staring at a blank slide titled: *“Zurich Brief – Draft 0.0.”*  
He’d opened it three times already. Each time, his mind wandered not to strategy, but to the sound of Clara’s laugh trapped inside an elevator shaft.  

Lena appeared with two coffees and a grin that said she already knew too much.  
“Zurich boy,” she said. “How’s the view from the chosen circle?”  

He accepted the coffee without looking up. “Blurry. Possibly fatal.”  

“Good. Keeps you alive.” She leaned on his desk. “So what’s the plan? Are we charming the Swiss or terrifying them?”  

“I’m aiming for respectful confusion.”  

“Classic Reid tactic.” She lowered her voice. “People are talking again. You and Clara. Elevator incident. Late-night meeting logs. Half the floor thinks you’re secretly dating, the other half thinks you’re writing a book about her.”  

He didn’t look up. “Maybe both.”  

Lena whistled. “Dangerous sentence. I like it.”  

By mid-morning, the Zurich prep meetings began. Mira joined from Finance, Nadia from PR, and two new faces from Legal and Design. Clara chaired the meeting, sharp as ever—perfect posture, perfect diction, not a hint of the person who’d confessed to liking “friction” forty-eight hours ago.  

“Alright,” she said. “We’re presenting not just a campaign, but a tone. ‘Clarity as Trust.’ It needs to sound inevitable.”  

Mira adjusted her glasses. “Finance will approve whatever doesn’t sound like a TED Talk.”  

“Good,” Clara said. “Evan, walk us through your skeleton draft.”  

He connected his laptop. The first slide appeared: white background, no logo, just one sentence—  
*‘We speak plainly, because truth doesn’t need volume.’*  

Clara didn’t react, but something softened behind her eyes. “Continue.”  

He explained the flow—how every touchpoint should feel like a conversation, not a sales pitch. How brands that speak too loudly are really just afraid of silence. How confidence and humility weren’t opposites but twins pretending not to know each other.  

When he finished, the room was quiet in that specific way that meant people were deciding whether they’d just seen something clever or career-ending.  

Mira broke the silence first. “You realize the board’s going to hate that first line?”  

“Yes,” Evan said. “That’s why it’ll work.”  

Nadia smiled, slow and impressed. “You’re either the best accident this company ever made or its most poetic mistake.”  

“I contain multitudes,” he said.  

Clara finally spoke. “Keep the first line.”  

Mira blinked. “Really?”  

“Yes. It’s the only one that sounds like us, not like every other corporation pretending to feel.” She looked at Evan. “But add data after it. Courage works better with a safety net.”  

He nodded. “Understood.”  

After the meeting, Evan stayed behind to pack his files. Clara was still there, reviewing her notes. He hesitated, then said, “You didn’t have to defend that line.”  

“I wasn’t defending you,” she said without looking up. “I was defending the truth.”  

“Same thing, apparently.”  

That made her glance up, lips curving faintly. “Don’t let this go to your head. Zurich will eat you alive if you sound idealistic.”  

“Then maybe I’ll make them laugh instead.”  

“Careful,” she said. “That’s how you get promoted.”  

He grinned. “Or fired.”  

She stood, closing her notebook. “Possibly both.”  

They left the room together, walking side by side through the hallway of glass and echoes. For a moment, it didn’t feel like boss and employee—just two people caught in the same strange current of ambition and exhaustion.  

When the elevator doors opened, she pressed the button for the lobby, then said quietly, “You’re not afraid of me anymore.”  

He considered that. “I think I’m more afraid of what happens when I stop being afraid.”  

She looked at him—really looked. “Good,” she said. “Fear keeps the honest ones interesting.”  

The doors opened. She stepped out first, heels clicking against marble like punctuation.  

That night, he stayed late again. The office lights dimmed one by one, until only his floor remained. He finalized the Zurich brief, saved it twice, then opened the chat window with her name at the top.  

He typed:  
*If truth doesn’t need volume, what about timing?*  
He deleted it.  

Typed again:  
*Zurich won’t know what hit them.*  
Deleted it.  

Finally, he sent one line.  
*Thanks for trusting me with this.*  

Minutes passed. Then, her reply appeared:  
*I didn’t trust you. I tested you. The difference is that you passed.*  

He smiled, quietly.  

Then another message followed:  
*Also—stop working. Sleep is a strategic resource.*  

He replied:  
*So is sarcasm.*  

Her typing bubble appeared. Paused. Disappeared.  

For a while, he stared at the screen, feeling a strange mix of peace and anticipation.  

Somewhere in the building above him, she was probably doing the same thing—typing something honest, deleting it, pretending it didn’t matter.  

And in that unspoken space between drafts and decisions, something very real was beginning to write itself.  

BiyarseArt
BiyarseArt

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She’s Making Moves, I’m Making Excuses
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Evan Reid, a sarcastic and quietly kind marketing employee, accidentally humiliates his new CEO, Clara Voss, during her first company-wide meeting — and somehow becomes the center of her attention instead of her wrath.
What begins as a professional embarrassment spirals into a long, slow, unpredictable dance between ambition, affection, and fear of intimacy in a corporate environment where every glance becomes gossip and every meeting feels like emotional chess.
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The Zurich Preparation

The Zurich Preparation

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