In the days that followed the attack, life at Hancock Fortress fell back into its odd rhythm of survival and sarcasm.
A few new trades came in—scrap metal for canned food, fuel for medicine, even one strange request for “a working toaster,” which Kayla rejected on principle.
And somewhere between the paperwork and the endless hum of generators, Nara Vivienne began to fit in.
Her tasks rotated: kitchen duty once every few days, light maintenance work, and lately… the basement.
The basement was Gene’s private sanctuary.
It wasn’t listed on the trade maps or the defensive schematics.
Most people thought of it as storage—but to him, it was a museum.
The first underground level was lined with dust-covered silhouettes of vehicles from a world that had vanished: muscle cars, rusted convertibles, the remains of motorcycles with names like legends—*Rattlesnake, Thunderbird, Marauder.*
Each one carried the scent of oil, dust, and nostalgia.
That morning, Kayla had assigned Nara to sort through the parts and clean the engine bays.
By evening, word reached Gene through the fortress grapevine.
He looked up from his console and asked casually, “Hey, where’s Nara? What’s she doing today?”
Kayla, busy writing down ration numbers, didn’t even glance up. “Last I saw, she was in the basement, elbow-deep in your junkyard of cars.”
Gene’s eyebrows lifted. “She’s working *down there*? She knows engines?”
“Who knows?” Kayla shrugged. “Maybe she’s just pretending to fix things. Why don’t you go *check* on her?”
He recognized the bait immediately.
That “check” wasn’t a suggestion—it was a test, and Kayla’s tone carried all the challenge of someone sharpening a knife.
Still… it was his cars. His *babies.* And curiosity was stronger than fear—for the moment.
He hesitated a beat too long, then stood.
“I’ll just… check on her. For maintenance reasons,” he said lamely.
Liz snorted. “Sure, maintenance. That’s what they’re calling it now.”
Ignoring her, Gene grabbed a flashlight and made his way down the concrete steps.
The lower air was cooler, filled with the scent of old rubber and machine grease.
He found her easily—kneeling beside the Rattlesnake, a 2073 pre-collapse model, all curves and chrome under a decade of dust.
The hood was propped open; tools scattered neatly in a semicircle.
Her hands moved with focus, unscrewing bolts, cleaning each piece with rag and solvent.
For a man who usually found chaos relaxing, the sight was strangely peaceful.
> **System:** “Observation: Nara Vivienne engaged in mechanical restoration.
> Current work-focus attractiveness level: 93%. Recommend long-term observation.”
Gene pinched the bridge of his nose. *Are you grading her like she’s a used car?*
In a world long after civilization collapsed, people survive by trading whatever they can find.
At the top of a ruined city stands a fortress owned by one man—Gene Hancock, known to everyone as The Last Supplier.
He can provide anything: food, medicine, fuel, even weapons.
No one knows how.
Some say he’s using alien relics. Others believe he made a deal with the stars.
Only Gene knows the truth—he has a snarky system in his head that conjures goods out of thin air.
His rule is simple: no one sees him, and all trades happen through the fortress’s double-room system.
But there’s one tiny problem—
the system has a “customer satisfaction feature.”
Whenever the client is female, it throws in ridiculous “bonus gifts”: chocolate, perfume, silk nightwear…
Now, every few days, a new woman shows up at the gate declaring her eternal gratitude,
and inside the fortress, Gene’s five companions are ready to riot.
In the wasteland’s last safe zone, survival isn’t the problem—jealousy is.
The Last Supplier is a darkly funny apocalyptic comedy about one tired man, five loud women, and a system that won’t stop flirting.
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