The day started quiet enough—no alarms, no explosions, no one threatening to strangle Gene for once.
Then Reina’s voice cut through the calm.
“Movement at the east gate. One old man, two kids, one cart.”
Gene looked up from his half-eaten sandwich. “Define cart.”
Reina zoomed the camera feed. On-screen, an old man was dragging a handcart overloaded with cracked solar panels and dusty battery packs. Two small kids pushed from behind, wobbling under the weight.
Liz leaned over her shoulder. “A solar parade, huh? Cute.”
The old man stopped at the gate and slipped a note into the mailbox. Reina read the scanned text aloud.
“‘We have panels and batteries. Request: clean water, canned food, and a blanket, if possible.’”
Freya pressed her hands together. “Gene… look at them. They’re freezing.”
Gene didn’t answer. He kept staring at the monitor, expression unreadable.
In a world long after civilization collapsed, people survive by trading whatever they can find.
At the top of a ruined city stands a fortress owned by one man—Gene Hancock, known to everyone as The Last Supplier.
He can provide anything: food, medicine, fuel, even weapons.
No one knows how.
Some say he’s using alien relics. Others believe he made a deal with the stars.
Only Gene knows the truth—he has a snarky system in his head that conjures goods out of thin air.
His rule is simple: no one sees him, and all trades happen through the fortress’s double-room system.
But there’s one tiny problem—
the system has a “customer satisfaction feature.”
Whenever the client is female, it throws in ridiculous “bonus gifts”: chocolate, perfume, silk nightwear…
Now, every few days, a new woman shows up at the gate declaring her eternal gratitude,
and inside the fortress, Gene’s five companions are ready to riot.
In the wasteland’s last safe zone, survival isn’t the problem—jealousy is.
The Last Supplier is a darkly funny apocalyptic comedy about one tired man, five loud women, and a system that won’t stop flirting.
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