EPISODE 3 — "The Meaning of Art"

{JUSKNOW}: (walking through the school halls) …Why are there so many torn papers scattered here? These drawings… they all look like monsters.

{JUSKNOW}: (turning to Miscova) Miscova, what’s the reason behind this? Why are these things here?

{MISCOVA}: (serious tone) Those aren’t just drawings, Jusknow. They are remains of corrupted creations — failed recreations from entities we call “Sars.”

{JUSKNOW}: Sars? What are they?

{MISCOVA}: Sars are entities with little control over Recreational Art. They crave power… so they hunt and kill users to steal their art — to gain more dominance and knowledge over it.  

Every single Sar must be exterminated. They are a threat to the balance of creativity itself.

{JUSKNOW}: (hesitant) That’s terrifying… So they exist just to consume others?  

But Miscova, are there… different types of techniques in Recreational Art?

{MISCOVA}: (crosses arms) Yes. There are two main branches of techniques.  

First — **Usage Techniques**. These generate an effect through the art itself and are activated directly by the user’s control.  

Then — **Adhesion Techniques**. These are triggered without the user’s direct will, instead activated by external resources or catalysts that respond to the user’s art.  

There’s also a third kind — **Physical Techniques**. These allow users to materialize drawings directly from the watercolor source, giving them real, physical form.

{JUSKNOW}: So… the art itself is what brings things to life?

{MISCOVA}: Exactly. Recreational Art doesn’t create power — it *materializes* it.  

Those who understand how to use it wisely can control it far beyond ordinary imagination. But remember, Jusknow — users skilled in *usage* techniques tend to have far greater mastery than those relying only on *adhesion*.

{JUSKNOW}: (nodding slowly) I understand… I’ll make sure to learn properly, Miscova.

{MISCOVA}: (smiles faintly) Good. You’ll need that discipline soon enough.