Hathen and Rockin are up to no good in the police station; something smells funny, from weed to farts. It is just a disaster for the guys to have them out of the place so they can meet up with Arianna, since Arianna is in the room with them, along with the other inmates.
"State your names? I see you have no ID card; tell me about yourself." One of the officers asked.
"I cannot tell you this because it is hard to explain; it is confusing at first, but you will regret it," Hathen spits out.
"Please, we are serious about it. Let us go; we just want to go home." Rockin lied.
Arianna is hearing the boys' personality traits each time they lie to the officers. Hathen and Rockin are talking more about their "backstory."
Hathen lied. "I am from the ocean, and looking at the ocean makes me the ocean."
Rockin lied, "I like turtles, and I was born with turtles."
Inmates 303 and 304.
But as they enter the rooms, they notice plaster on the walls. Could this be an exit? Yes. Hathen checked around the area. There is a bed, a wall, of course; there is something else. It was really thick and rusty, as the bed is not really as soft and bouncy as Rockin is. Looking around, there is a toilet, a stinky, really toilet-smelling icky thing, as a personal guard is exiting the building for a while. He looks around the whole place. There's only a cell and singing, as I haven't heard it was just a real disaster. Our first time in Paris was around 2003, but it was just, what is it, a very popular place, but also a dangerous place. Ever Hathen thinks about the wall; he breaks it instantly, breaking it, breaking the guards. He heard it far away and ran over. Rocket looked around the floors where the guards are and then.
"This wall is very weak. I can fist with five punches, and I got a hole. What kind of hole is it? "Oh look, a tunnel!" Hathen cried out. He crossed it fast like a mouse crawling. He saw his mouse roll everything, bugs. Iggy icky Willy icky, he smells the foul smell and could lead to the toilet, but instead he keeps on digging it out until he reaches the end; he breaks it all into his metal wall. Bleeding, his fist heaven keeps on punching the pot, as Rockin is way too big, but he heard the screaming and crying for help and decided that from now on, he would instead just use his spare hands to break off the bars, the metal bars, exactly, and brick his spare hands, as his hands are bleeding out. Hathen's hands are also playing out the mellow punch, punch, punch, punch, punch, blood, blood, blood, blood. It hurts really badly for both guys' hands.
Crash!
Hathen flees out of the police chief's office, looks around, and sees a door. He easily ran to the door and saw nothing but hallways. He didn't find a window behind him and just crashed out. He crashes into the window with all the glass, shattering his skin, and all the blood is from his hand to his body, rough and so bad with blood dropping out there. There is an ocean, the ocean ground, the ocean water, everything like that; he splashes into the water as long as Rockin breaks through the bars and starts running away. He runs through all the officers who are at chasing him and grabs his body.
He cries for help, but as one officer pulls a taser, he gets tased up, and he starts kicking everybody with his hooves, running to the exit door, all locked up with chains, but he uses his own shoulder to slam through the door, slamming it all, and so the blood hurts, bleeding fluid, and then he flees out after one last speaking to the door with his whole right arm, broken and falling off as there is the entrance to the rock camp. He runs away, and with defenses as high as a car, we saw it like it was a cliff as he screams Hathan's name, and Rockin hears it and is screaming back.
It is close to the morning as the shore brushes off Hathen's body, all blood. At least I would be surprised if no sharks were attacking him. Along with the fact that Rockin follows his best friend's body to the shore, there is nothing for the sun rising up with the clouds, borrowing it, and the ocean roaring as both their buyers are hurt and need to go to the hospital, but they cannot because they're still on the lookout. So as Rockin and Hathen walk back to the city, the morning strikes out with shops opening, museums opening, and many of the parks opening as dogs bark over the two guys bleeding. They need to take a rest. They want to go to sleep for now, but they cannot. They still needed to go to the Eiffel Tower to go back home, but it was too late, as Rockin thought. The morning feels gloomy for them, but they are bleeding and need to cover up as Arianna comes over in the morning to look around for fresh air at the hotel. She knows two guys are walking in blood in water as she is shocked about it, along with Dolia and Mei.
"There is no way you cannot live like this; come on, boys!" Arianna sighed with fear, but as Rockin grabbed her right shoulder, he said, "It will be okay. Just two monsters who have magic," with a wink. Rockin walks around to find water, but the people are staring at them menacingly, shocked by the anger of the murderers from the hobo. Last night was rough on the news, making Paris feel bad; it is hurting both Hathen and Rockin, so they both look at each other and leave the area while their bodies still bleed. Arianna wants to follow, but Dolia says, "There are men; that is okay for them. Let them be alone for a while."
Arianna stared at Dolia. She agreed and followed the rest of the class on a trip to each museum.
The Musée du Louvre in Paris, once a grand royal palace, stands as a breathtaking monument to thousands of years of human creativity, especially the glass pyramid, which most people know it as The Mole. Walking through its historic wings feels like traveling across time and space, with each department opening up a completely different world. In the painting galleries, you can trace the evolution of European art, moving from the quiet, elusive gaze of Da Vinci's Mona Lisa to the dramatic passion of French Romanticism. Nearby, the ancient world comes alive through timeless classical sculptures like the Venus de Milo and the Winged Victory of Samothrace, while the Egyptian and Near Eastern collections offer a fascinating glimpse into early civilizations with their preserved mummies, hieroglyphs, and ancient law tablets. For a taste of pure luxury, the decorative arts section lets you step directly into the glittering, opulent lifestyle of European royalty inside the reconstructed Napoleon III Apartments. From delicate, private sketches by masters like Michelangelo to monumental statues that seamlessly blend into the museum's architecture, the Louvre beautifully connects the past with the present, making centuries of art feel incredibly alive and accessible.
Everything seems fine until Dolia notices a black figure walking around, and she chases it. As Arinna sees her run away, she follows. As the trail gets longer and longer, a thief, the black thief, pulls out a gun and shoots Dolia's right leg. She screams, and Arianna carries her body away from the black thief, a man who paints his entire body black! With acrylic paint, hard like rock, he heard stomping far away, galloping.
BAM!!!!
Hathen went full frontal on the man's chin and cheeks, punching like a speed bag, as the hooves from Rockin crushed his stomach and legs; kicking held him back from last night. It is hurting the man down to the ground. His goal is to steal the Mona Lisa, but he did the wrong thing, as Hathen and Rockin keep on punching and kicking the man until security rushes to the scene, arresting all three of them. It is a shock to see both Hathen and Rockin are going to jail again and face their consequences; it is very stupid, as they thought as they got their wrist cuffed and tased down their necks. Arianna saw this madness and hid away the evidence; she does not want to be a victim, but Dolia is whispering about a goal.
"I need to see my mother," she whispered,
Arianna's right ear comes closer to Dolia's dying mouth. She asked, "Where is she?"
"Montpeiller!" She is about to faint.
"Hold on! We are about to get to an ER!" roared Arianna.
As the security pulls Hathen and Rockin, the exit to the museum alerts guests and families, watching this without their phones, holding them out, except for one man who looks like RM from BTS, who snaps one photo of Hathen and Rockin; it is very shocking.
A couple of days later, someone found the image of them being arrested to be a hoax. Some people say that leprechauns and centaurs are real; others see two criminals who went to the future to prevent a murder at the Louvre. It is both fake and nothing; the truth has never been told, according to Symon Reed, holding his infant, Smithy, at the nearby park, holding his notebook about this situation. It is never discovered by experts; not even AI can solve it.

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