looking at the hell panels like '... did homer even say all that?' like, it's so stylistically different from the rest of the comic (the dialogue bubbles with no tail, the complete monochrome, the black backgrounds), and the jumpy line which *literally flatlines* makes me think it's either meant to be a representation of death (with nothing after) or a representation of moe's version of hell (with complete isolation in eternal darkness).
Our story follows Moe, Springfield's least favorite bartender, who's at the mercy of his depression. After saving the life of a newcomer named Riley, he discovers that he's not the only one who's unable to let go of a traumatic past.
With Riley's help, he'll try once more to reach his life-long dream of becoming a pro-boxer. Will he finally obtain success and learn to love himself? Or will their monsters prove too much for our pair to handle?
It's The Simpsons mixed with Rocky Balboa and a dash of Hajime No Ippo.
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